而就我個人而言，我認為兩片令我有堅持不懈和保持創新的體悟。

As for “Hugo’s Adventures in Paris” directed by Martin Scorsese and “A Trip to the Moon” by George Méliès Comment: First of all, I think Director Scorsese mainly hopes to express “movie and film” through the description of film history in the play The Relationship of Dreams”.

The film “Hugo” tells about George Méliès, a famous movie character. Director Scorsese chose not to tell Méliès in the form of a mediocre, dull, and information-oriented historical documentary but chose a picture book published in 2007 The novel “The Invention of Hugo Cabret” (original name: The Invention of Hugo Cabret, author: Brian Selznick) is adapted into a science fiction adventure movie, using the adventures of the protagonist Hugo at the Paris train station to express the importance of Méliès’ works to film history and Love; the protagonist Hugo of “Hugo” is set to be a teenager who loves to repair machines and insists on finding the truth and dreams, and the other protagonist Isabella is also looking forward to adventures in the unknown. From the film genre and character setting of “Hugo”, it is obvious that Scorsese intends to connect movies with dreams and dreams.

    There are also many references to the dream of the protagonist Hugo in the play. For example, Hugo jumped off the rails to pick up the heart-shaped key, into Méliès’ painting robot, interspersed with fiction and reality; The younger brother refused to sell the camera, but he still persevered in refitting with robot parts to achieve the use of moving images to shoot such The dream of stories like A Trip to the Moon.

When “Hugo” was described as the first movie in history, “The Train Into the Station”, many viewers mistakenly thought that the picture was

The train inside will rush out of the screen, crash into itself, and hide under the chair. It can be seen that the movie created a dreamlike environment for the audience at that time.

A real new form of art experience; although landing on the moon and space were unattainable for human beings at that time, Mei

However, Liai used the movie “Travel to the Moon” to “realize people’s dreams of landing on the moon and space travel” on the screen.

Now”, see Scorsese believes that movies and people’s dreams are closely linked.

In addition, I think Director Scorsese also used the scene “Hugo” to bring out the interpretation of the movie “timeless”. In “Hugo”, director Scorsese not only described the protagonist Hugo’s obsessive pursuit of the relationship between the robot and the secret of “Travel to the Moon” drawn by a robot but also fictionalized the role of film historian René Tabard. Although René was not in the audience who watched the avant-garde classics such as “A Train In” and “A Trip to the Moon” at the time, he was Méliès was obsessed with researching film history while filming on the set. He collected the cameras and film copies used by Méliès and even published a book introducing film historical figures. It can be seen that although after the war, people experienced all kinds of cruelty and reality, their interest in Méliès’ films temporarily declined; Fascinated by René et al, Scorsese unleashes his views on the timeliness of the film.

Whether it is the “Hugo” movie or in reality, Méliès went bankrupt, the studio closed down, and hundreds of copies of his works became waste due to the weakening of the post-war movie boom. He tried his best to forget the film achievements, even if Hugo showed him ” month, only to be driven away with anger and disappointment. Méliès chose to commit himself to the train station to build a toy grocery store that seemed to have nothing to do with the movie. He kept his anonymity with a bit of inferiority and even made René and the public mistakenly think that he had passed away during the war. feel depressed. But the fact is that many people, such as Hugo, his father and son, and René, admired him very much. After being rediscovered, he was appointed as a professor at the film academy, so he did not see Méliès and was no longer valued. Therefore, we can extend and draw the conclusion that Director Scorsese believes that good movies and good creators are not limited by time.

And I think the two pieces give me the experience of perseverance and innovation.

In “Hugo”, everyone kept breaking through difficulties and did not give up easily. For example, Hugo’s father passed away due to a fire. Hugo still kept his father’s notebook to study continuously, searched for parts to repair the robot, and did not give up because of Mama. Jeanne was dismissed and gave up mentioning the movie again to Méliès; the funny station patrolman——Gustav, although his left foot was injured in the war and was unable to walk, was equipped with assistive devices, but he did not give up his patrol job because of this, More courage to show love to the flower shop clerk Lisette; more obvious Méliès, did not give up the idea of shooting because the Lumiere brothers refused to sell the camera, etc. Various fictitious plots and real historical facts in the film made me reflect. Whether it is team communication or technical execution, I will encounter difficulties in the process of film production. It doesn’t help, and it will only make the work less effective and deviate from the creative concept. So maybe persistence and finding solutions to break through is a big part of being a film student.

It is only production, not creation, that keeps one’s law and remains the same. Méliès was originally a magician with his theater and team. After discovering moving images, he thought of using this as an innovative way of presenting magic, which amazed the audience at that time. It reduced the effect that magic could not achieve before, and broke through the original form of artistic performance; Méliès even broke through the documentary and realistic form of films such as “The Train Into the Station” at that time and created a narrative film by adopting stage performances and setting scenes, which shows that its goodness lies in The spirit of innovation and breakthrough. For me, this is just a reminder to myself in the process of film creation, reminding us that when we are still students, we can abandon stubbornness, try to break through and innovate, and never slacken in creation.

There is a dialogue in the corner of the cafe owner Madame Emile in “Hugo” : “Things must be done at the right time, such as brewing coffee, and making movies.” Waiting silently for the right time, creating and producing, blending images and dreams.